Blog

3rd April 2026

The Last 5 Years Staged Concert - Discussion

It cannot be denied that Ben Platt and Rachel Zegler are some of the finest musical theatre performers of their generation, so when a staged concert of The Last 5 Years featuring Platt, Zegler and the show's composer Jason Robert Brown at the helm, it was unsurprising that theatre fans (myself included) rushed to get tickets for their six-day London run. As was anticipated, the performace itself was a masterclass in storytelling and singing, making the Palladium audiences cry and laugh simultaneously. Jason Robert Brown's incredible score and musical direction allowed both performers to make the music their own and show their own interpretations of the characters, creating a full of life Jamie and a hopeful Cathy (before the story turns of course...)

But beyond the performances themselves, this production led me to question something - should we be seeing more staged concert versions of shows? We've recently seen Lambert Jackson staging concert versions of Songs for a New World, Carousel, Once and Bare amongst others and the popularity of these productions shows that this concept is something that theatre fans can get behind. As The Last 5 Years typically needs less scenery and set than other shows it lends itself perfectly to this concert format, but could other shows also benefit from this setting? COVID saw the Les Miserables staged concert version, showing how shows with more scenery can work in this environment, and I personally believe that other shows should be given this treatment. Imagine a concert version of beloved shows such as Come From Away or Into The Woods! Sure, some aspects may be lost due to the lack of staging and dancing, but what is gained is a chance to showcase the music itself. As long as audiences know that they are seeing a reduced version of the show, it can only be seen as a positive, giving shows the chance of a short-term run and a revival that might otherwise be out of the question...and the opportunity to showcase new performers or those not typically seen in the UK (such as Platt and Zegler) never goes amiss!

Concert tours have been very popular for performers like Samantha Barks, Carrie Hope Fletcher and Lucie Jones, but I wonder if this can be extended further to concert productions too? Having only a few dates in each city would increase audience interest and the lack of staging would make it significantly easier for theatres to house, giving audiences nationwide a chance to see something that would otherwise only be accessible for those within travelling distance of London. The thrill of seeing something with a short run will never go away, the excitement of being one of the few audience members to see a specific production is something that fans all around love to have, so surely ticket sales would be no issue at all! 

In my view, if the show and its music lend itself to the possibility of a staged concert version then this is something that should be embraced and explored. I believe that this will be the case in the future so, as they say, watch this space! 

17th November 2025

The Last 5 Years - Review

This new revival of a staple of modern musical theatre takes a well-loved show and updates it even further, transporting audiences to NYC and into the lives of Cathy and Jamie. Not only does the musical’s score expertly balance and energise the show, it reflects the characters and their emotions in perfect detail, providing light and energy when needed but also using the deep sonorities of the cello to richen the story’s darker moments. The four person ensemble of actor-musicians breathes life into the production - enhancing the background or fleshing out the world on stage with subtle but defined moments. This production cannot be discussed without spending a moment looking at Martha Kirby’s portrayal of Cathy. Kirby deals with the difficulty in the music with ease, and her vibrato truly makes you step back in awe. She helps the audience navigate through the arc of the story, from the deep pain felt in Still Hurting, to the radiating light and hope she portrays in Goodbye Until Tomorrow. The two alternate timelines in the show can complicate matters for audiences new to the storyline, but I personally feel that this adds a complexity to the already complex music, and creates deeper layers in terms of both character and music, which cannot always be found in shows that only feature one timeline.

Location - The Barn Theatre, Cirencester
Star performer - Martha Kirby as Cathy
Star song - See I'm Smiling
Rating - 4/5

14th October 2025

Fiddler on the Roof - Review

This nationwide tour of the 2024 Regent’s Park Open Air Theatre production tells the tale of a loveable family against the backdrop of a poverty-stricken Jewish community in Imperial Russia, with impressive yet simplistic set design referencing this setting. When considering my experience at this show, only one phrase sprung to mind - triumphantly heartbreaking. Matthew Woodyatt’s portrayal of Tevye leaves you sympathising with and admiring the loving father figure, laughing at his brutal yet comedic honesty and despairing with him as his world keeps changing. Whether you agree with the choices made by Tevye or not, Woodyatt’s character choices make you applaud the determination shown by the patriarch, all while reflecting on your own position and reminding yourself of how lucky you are. A show that has the ability to cast light on the darker aspects of our world while still leaving audiences smiling is one that can only be commended, and this tour deserves just that. This show truly embodies the genre of ‘musical theatre’, linking the traditional music with song structures that are more commonly found on a stage and showing how music is a thread that ties together not only the show’s characters but audiences too.

Location - Festival Theatre, Edinburgh
Star performer - Matthew Woodyatt as Tevye
Star song - Far From the Home I Love
Rating - 4.5/5

22nd September 2025

Chicago - Review

Chicago certainly has an impressive reputation as the longest-running American musical on Broadway, and it definitely doesn’t disappoint. Without the reliance on an extravagant set or over-the-top costumes, one can only marvel at the spectacle created by the performers alone - I truly believe that the quality of dancing and it’s choreography combined with the vocal writing and characterisation makes it one of the most well-rounded shows out there. Despite discussing murder and the American prison system at length, Chicago manages to create a lighthearted and ultimately fun atmosphere with just a touch of drama thrown into the mix. Having seen this show with someone who knew little about what awaited them, one thing became clear immediately - Chicago is the type of production that appeals to both the theatre fanatic and those who are new to theatreland. With Rachel Schur playing a protagonist who you simply want to succeed, instantly capturing your heart and making you laugh throughout, it’s easy to see why Chicago has gained raving reviews for so many years, which surely will continue for many more to come.

Location - Ambassador Theatre, Broadway
Star performer - Rachel Schur as Roxie Hart
Star song - We Both Reached for the Gun
Rating - 5/5

10th May 2025

Moulin Rouge - Review

Bringing Paris to Edinburgh, the UK tour of Moulin Rouge is not one to miss. The show artfully transforms some of the world’s most well-known songs and presents them in a story of a societal uprising and the overpowering ability of true love. Whilst the performing talent and compelling musical arrangements form a core part of the show’s appeal, the true shining light of this show are its production values. With highly detailed costumes, impeccable and precise lighting directions and stage design to wow all audience members, this spectacle of a show truly shines in all departments. Looking for a classic love story with music, choreography and a setting fit for the shining stars of Parisian entertainment? Then this is the production for you!

Location - Edinburgh Playhouse
Star performer - Nate Landskroner as Christian
Star song - El Tango De Roxanne
Rating - 5/5

21st December 2024

Hadestown - Review

Straight out of Greek mythology and onto the West End stage, Hadestown presents the heartbreaking story of Orpheus and Eurydice, and the decaying relationship of the gods Hades and Persephone. Told through the expert narration of Hermes (Melanie La Barrie), audiences are quickly introduced to this unknown world and soon empathise with the characters and their perilous journeys. As with many pieces of musical theatre, this show is truly brought to life by its music - the inclusion of trombone into the string-dominant band adds an extra dimension to the music, creating a jazz feel at times or helping to reflect some of the show’s military undertones. The combination of three strong female leads is not one to be missed; the vocal styles of Hades, Persephone (Rachel Tucker) and Eurydice (Madeline Charlemagne) blend together perfectly, whilst each having their own strength, unique style and sublime character portrayal. Ultimately, this show is one that truly deserves its status as one of the jewels in the crown of both West End and Broadway, which will deservedly run for many years to come. However, for any first time viewers I highly recommend you familiarise yourself with either the story or the music before you go, as it can be somewhat difficult to follow at points otherwise!!

Location - Lyric Theatre, West End
Star performer - Rachel Tucker as Persephone
Star song - Wait For Me
Rating - 5/5

7th November 2024

Only Fools and Horses - Review

From Peckham to Edinburgh, the Trotters spread joy and laughter wherever their iconic three-wheeled van leads them. This musical adaptation of the classic British sitcom has expertly managed to translate these beloved characters from the screen to stage, with the addition of some pretty *pukka* songs too! The score perfectly balances the ballad style traditionally associated with musical theatre through Raquel’s introductory number ‘The Girl’ whilst retaining the cockney-flair that you would expect to find down at The Nags Head through ‘Where Have All The Cockneys Gone?’ and the renowned ‘Hooky Street’. For audiences searching for deep, meaningful theatre with intricate musical scoring, this show is unlikely to fulfil your desire. However, for anyone looking for a feel-good production that is guaranteed to make you laugh, I would highly recommend paying a visit to Peckham. Particular stand out performances come from Paul Whitehouse (Grandad) and Sam Lupton (Del Boy), but all cast members truly embody their characters, perfectly nailing even the smallest of vocal inflections (or in the case of Boycie - a very well known laugh). For those familiar with the sitcom, iconic scenes are referenced throughout and you will fall in love with the characters all over again. And for those with no prior knowledge, well you’re in for a treat! Lovely jubbly! 

Location - Edinburgh Playhouse
Star performer - Paul Whitehouse as Grandad
Star song - The Girl
Rating - 3.5/5

30th October 2024

The Book of Mormon - Review

From the very first ‘Hello!’ The Book of Mormon presents an all singing and all dancing exaggerated representation of the followers of the Mormon church and the missionary work that they must undertake. Following Elders Price and Cunningham as they make the journey to Uganda to recruit new church members, they get more than they bargained for as they realise the stark differences between their lives and those of the people they are attempting to help. I think it’s fair to say that, despite the feel-good atmosphere it creates, this show is most certainly not family friendly and will not be to every audience members taste - it almost perfectly toes the line of respect versus disrespect, and encourages viewers to revel in the contradictions found throughout the religion whilst ultimately presenting its followers as helpful and kind-hearted. The overriding message that religion can be interpreted freely and can provide a sense of light and hope to those in need is clear by the time the curtain falls, but ultimately is this too large of a topic to deal with via musical theatre? The use of big dance numbers and flashy costumes within a modern work is admired and the talented cast effectively lift the spirits of audience members, but viewers should go into the theatre prepared for slight controversy and crude humour. 

Location - Edinburgh Playhouse
Star performer - Adam Bailey as Elder Price
Star song - Turn It Off
Rating - 4/5

23rd September 2024

Come From Away - Review

5 times, 5 casts, 3 theatres, all in the space of 3 years - it’s safe to say I’ve seen this show a lot. But why do I keep going back? I could spend hours answering that question and telling you why I love this show but I think it all boils down to this - Come From Away has a remarkable ability to showcase a harrowing global event and it’s repercussions but still leave audiences feeling joyous. It truly encapsulates all of the things that make musical theatre an incredible art form; presenting a story full of characters that you learn to love and will stick with you long after the curtain has come down alongside songs that you will listen to repeatedly, using unique musical techniques and orchestration to reflect the show’s setting via its traditional instruments. Every iteration of this show has left me speechless, with the current UK tour being no exception to this. The cast are truly outstanding, making me fall in love along with Diane and Nick (Kirsty Hoiles & Daniel Crowder) and marvel at the life of Beverley Bass (Sara Poyzer) to name just a few of the stand out stars. When I tell people that Come From Away focuses on the aftermath of 9/11, I’m met with looks of concern and confusion (particularly when they realise how many times I’ve seen it) but I always encourage them to give it a try, as in my eyes this production has something for everyone and has the power to lighten our outlook on life. I’ve seen different character portrayals with every show and noticed tiny incredible details on each occasion and I know that, when this current tour concludes, the show will stick with both me and every other audience member for a long time to come. I’m not embarrassed to admit that I cried many times over the course of my final time seeing this show due to the overwhelming emotion and realisation that it will be a long time until I see it again, and I think that statement alone endorses this show to the best of my ability and truly demonstrates why I urge you to see it while you still have the chance. 

Location - Bristol Hippodrome & Edinburgh Playhouse
Star performer - Mark Dugdale as Kevin T, Garth and others
Star song - Me and the Sky
Rating - 5/5

31st August 2024

Next to Normal - Review

To say I was excited for this show is an understatement. After falling in love with the music and storyline years ago, I was thrilled to finally have a production of Next to Normal on the West End when it graced the stage of the Donmar Warehouse last summer. The production and cast truly demonstrated how heartbreakingly beautiful the show is, and the intimate venue allowed audiences to connect with the characters on a deeper level. Immediately after watching Next to Normal last year I was desperate for a full West End run in a larger theatre, and a year later my request was granted and I found myself in the Wyndham’s Theatre witnessing the breakdown of the Goodman family and the devastating portrayal of a debilitating mental illness. All six cast members expertly embody their character and treat the delicate storyline with care, creating a production that leaves audiences simultaneously distraught and relieved. The musical genres chosen to represent each character and their mental state show the care that Kitt and Yorkey took when creating the show in 2008, and their beautiful songwriting combined with intricate musical details further demonstrates why this is a show that you should rush to see, and why it needs another West End run next summer!

Location - Wyndham's Theatre, West End
Star performer - Caissie Levy as Diana Goodman
Star song - I Miss the Mountains
Rating - 5/5

26th April 2024

Hamilton - Review

Nobody can deny that this show has changed the musical theatre industry for the better, by appealing to a wider demographic and using styles and techniques that you would previously never have found on a Broadway stage. Regardless of the initial impact it made 9 years ago, does Hamilton still wow audiences in 2024? The short answer - yes. Having not seen this show since 2018, I found myself marvelling at the skill that everyone involved in this show possesses: from incredible vocal performances by performers such as Charles Simmons (Washington) to audience-captivating character portrayals by Billy Nevers (Lafayette/Jefferson) and Daniel Boys (King George). By sitting front row, I could see clearly into the orchestra pit and I was truly inspired by conductor Meg Cave, who expertly commanded both instrumentalists and on-stage performers alike. With the entire audience in the palm of their hands, the cast beautifully demonstrated the magic of the theatre, and made it clear why this show is loved worldwide.  

Location - Festival Theatre, Edinburgh
Star performer - Billy Nevers as Lafayette/Jefferson
Star song - What'd I Miss?
Rating - 5/5

14th February 2024

The Wizard of Oz - Review

One of my earliest theatre memories is seeing the 2011 production of The Wizard of Oz, and so I was very excited to see the touring revival of this show. Unfortunately, it didn’t live up to expectation. By removing all scenery and using a video screen backdrop alongside changes in musical genre, the show was certainly aiming to achieve a modern feel. While I will agree that show benefitted from a more modern stance, all the changes combined seemed unnecessary and detracted from the storyline. With little performance space on stage due to the electronic requirements and awkward musical cuts between genres, even enthusiastic performances from all cast members and a truly villainous portrayal of the Wicked Witch of the West by The Vivienne could not save this show.
 

Location - Edinburgh Playhouse
Star performer - The Vivienne as Wicked Witch of the West
Star song - Red Shoes Blues
Rating - 2/5

7th February 2024

Jesus Christ Superstar - Review

I kicked off 2024's theatre visits with JCS today! This indoors adaptation of the Regent's Park Open Air Theatre production certainly lives up to the iconic Lloyd Webber scoring, with the choreography, props and set design being the clear highlights. Despite a slightly flat opening, the energy promptly rose through the end of act one, with outstanding performances in the second act making it a show to remember. Definitely one to catch on the remainder of its UK tour!

Location - Edinburgh Playhouse
Star performer - Ryan O'Donnell as Pilate
Star song - I Don't Know How to Love Him
Rating - 4/5

We need your consent to load the translations

We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.